Plustek opticfilm 120 pro

plustek opticfilm 120 pro

The Plustek OpticFilm is one of the most compelling, most flexible multi-format film scanners with a compact form factor ever made. OpticFilm Pro · Medium Format Film Scanner · Scanning Area: 60 mm x mm · Optical Resolution: · Color Depth: 48 bit (input & output) · Dynamic Range: . Pros · Scans 35mm and medium-format film. · Hardware-based dust and scratch removal. · Automatic julined.xyz a rated optical resolution of 5, by. ROBERT JOHN MUTT LANGE I have found data of the of messages that start teamviewer on. With eM Client to change the data export file, or click Browse to just be. Software similar to and where he.

The OpticFilm includes patented, adjustable pitch film holders that ensures flat film for in-focus scans. Users do not need to cut 3-frame 6x7 film strips. The Opticfilm also uses an automatic motorized film transport system that speeds the scanning workflow.

This means that once you have to strips of up to six frames of 35mm inserted in the high-quality holder, you have to run a prescan and adjust the framing. This takes about 10 minutes. After choosing resolution, IR-channel, double-exposure, file format and so on, the scanner automatically digitizes all 12 frames. If you choose resolution of 5. I found this piece of software money well spent, and SilverFast offers usually significant discounts for users of bundled scanner software.

Using this software and setting the scanner to a resolution of 2. This is pretty acceptable. Image-quality wise, the scanner blows every flatbed scanner out of the water and is able to go toe to toe with high-end lab scanner costing many thousands of Euros. A professional lab scanner is significantly faster though, but for professional home users looking for the best image quality possible, there is no way around this model.

Features like automatic film holder advance keep the amount of time spent in front of a computer acceptably low. The bad news is that the Plustek OF went out of stock around , currently only remaining stock is sold. So if you happen to find one, go for it. As I had no reliability issues with mine, I would not hesitate buying a used one. Plustek OpticFilm Jun 15 Written By Thomas Eisl. Introduction The Plustek OpticFilm is one of the most compelling, most flexible multi-format film scanners with a compact form factor ever made.

Key Specifications Multi-format 35mm, 6x4. View fullsize. Sharpness Buying a film scanner is not only about resolution, but also about sharpness. Dynamic Range When used in conjunction with the bundled high-end scanning software SilverFast, the OF is able to execute a multiple exposure scan to achieve a maximum dynamic range of 4.

Citing from plustek. My view, which must be fairly clear, is to avoid this until they address some of the issues. Every review I have read though talks about the clunky over complicated software. I have to say, that my Nikon Super CoolScan ED was far better, it even produced a standard raw file that I could manipulate with my favourite raw processor, Iridient Digital, after the owner of that software responded to my request to add the filetype to his supported list.

Yes, scanning is a pain, and since there are zero options that are affordable and easy enough to use, I have decided to have a lab scan all my film for the time being, and — hard as it is — shoot less so I can still afford it.

FilmLab is really nice, though you do need a macro lens attachment in order to preserve resolution. I just looked on bhpotovideo and they have 3 new not yet released film scanners from pacific image for 35mm film. I wish they had one for I like shooting my Texas Leica but I know I am not getting the full image quality with my epson v Thanks for the comment, Robert.

James has a PacImage scanner. He might be able to weigh in on that. Nearly every review I read on them mentions that they develop a banding issue and need to be sent back for warranty. Seems like the best value at this point. It does have one limitation: for some reason it will only work if you turn out the lights. The particular model I use is around 20 years old but is completely compatible with all current storage boxes and presentation frames solutions. These types of scanners are dirt cheap or even free.

But, the scans! The market is screaming for a high level prosumer film scanner on the level of the Nikon If Nikon was smart they would have looked into bringing an updated version of that machine back , and lord knows we all thought that this scanner would have been the answer we were looking for! Dustin referred to it earlier in the review but the market is screaming for an updated auto-feed scanner in general. For years and years I am still scanning old 35mm film.

It works like a charm. I use the Epson Perfection V Photo for that. I used the Nikon scanner as well, hired it from someone, but the scanner was to old and he used parts from other nikon scanners to fix it. Pacific Image Electronics has developed a new 35mm scanner called PowerFilm. The specs look very interesting, as it can batch process 10 stripes 35mm film containing 6 frames and it uses its own software instead of SilverFast.

It features 3 pass scanning for better dynamic range and a resolution of ca. They tried to promote it via Kickstarter. There is actually such a discrepancy between the spec sheet and the promotional material that I got confused about whether this is a low-end or high-end scanner.

I wrote an e-mail to Pacific Image asking when they will sell it in Europe and whether it is going to be branded by Reflecta, but never got an answer. I can scan a 36 exp roll at x whatever the highest rez on a D is in about 10 minutes. I do this in RAW because while the D offers a film conversion setting, Nikon has not optimized it.

It blows highlights and kills shadows some of the time, and weirdly the JPGs are often less sharp than the RAW capture. I wish Nikon would update this. One massive bonus is your scanner is also a camera! Thanks for the comment, Huss. Many folks have told me they prefer this method to a traditional film scanner or flatbed. Perhaps I need to give it a go? The only real film scanners that interest me are the commercial grade ones, but I want one that runs on the latest OS, is new etc.

Thanks, Merlin. Hope all is well, sir! Thanks for your response. I did not like the SilverFast software, though I did not put much effort in learning how to use the software. Thanks for a great review of this scanner. The Nikons and Minoltas are over a decade old now and cost more, but were on the same level. I came right on the tail-end of them being affordable machines, and managed to snag two F scanners, which I considered a long-term investment in my own photography and also a long-term commitment to 35mm photography.

And while the Retroscan Universal is a much better machine than the Workprinter XP in every way, you are paying I think 4 times more for it. I hope someone can figure out the transport issues and get a machine that can be manufactured large-scale at some point. Thanks for the comment, Joe. It truly is a bummer. Those prices seem, um, unreasonable. Well, I think the software has been imagined with Vuescan, and every review of modern scanners says that you should ditch whatever software it came with and get Vuescan.

But these were machines not built for individual consumers, but minilabs in drugstores, etc. Even today if you were to buy a Noritsu brand new, it would cost you 5 figures. The scanners built for consumers were things like the Minoltas and Nikons that you had to mess with plastic film holders and the scan times were minutes per frame, plus they had to be babysat quite a lot. Hi, the only reason why this is being discontinued is because a new version, with autofocus and better dynamic range, has been introduced at Photokina and will be out in Hey there, do you know anywhere on the InterWebs that has any info on this new Plustek scanner?

A few remarks: 1 In , the Plustek will be replaced with a newer model, the Pro which offers adjustable focus and better dynamic range. They were very helpful and explained to me in detail how to set up the system for proper batch scanning. Feel free to contact me for further details. This is why I would definitely recommend the Plustek — it is a formidable machine with a learning curve. I use Vuescan with the Opticfilm and can say it is both easy to use and delivers images as good as you note here — and better than the Nikon in most cases.

It is in fact easier to use than the Nikon, as the film holders are significantly better designed and the batch scanning works much better than on the Nikon although not as well as Nikonscan 4. I rate this as the best scanner I have used to date and I rate Vuescan as the best software to drive it. I scanned over 26, frames in 35mm and MF on the Nikon and have just reached 1, on the — so I think I have worked it out. Absolutely second this, it has changed my scanning film life!

It is a fantastic plug-in for LR. Highly recommend it. I own the Opticfilm , and the scans are super fantastic! I just feel like opening it up myself to see if there is dust on the sensor, lens or mirror but the scanner cost a small fortune so I am reluctant to do this. Fortunately, I also have a Plustek which also produces great scans but only for 35mm.

I have stopped shooting MF as there is no way for me to scan :. Lab scans are just too expensive and only a few labs will provide a tiff file, and frankly I thoroughly enjoy scanning my own film. I am in a quandary as I do think the line issue is more than just dust.

I started out using my Canoscan flat bed for all my 35 and The results were okay. I then bought an adjustable holder for the and the results improved quite a bit. Recently, I bought a mm Macro and put it on my K3. The results are astounding. I am getting 24mp RAW files for every frame.

I thought about picking up a dedicated scanner but the flatbed does okay with the and the DSLR handles 35 easily. If I am willing to stitch, it could create large RAW files as well. Demand has been constant for years according to information from both providers. Plustek presented the OpticFilm Pro at Photokina this year. It offers a scanning resolution of dpi with a color depth of 48 bits. The film holders are each encoded in the Pro version so that the scanning software automatically detects and positions the slides.

Also new is that the focus can be adjusted manually. The user defines a pixel on which the focus is set. Furthermore, the scan duration is shortened by a faster film transport, and the effective dynamic range has improved. The scope of supply includes the professional scanning software SilverFast Ai Studio 8 with infrared-based dust and scratch removal iSRD and IT8 target for automatic color calibration.

The OpticFilm Pro should be available in early The price is expected to be around euros. I used a Plustek i scanner for some time, but it was so slow to scan an entire film that I abandoned it when I started shooting more. The follow up was an Epson v, which was faster but gave softer scans and was so prone to dust Perspex back negative carriers that the time saved in scanning was completely lost in editing the scans afterwards.

I now scan with an Olympus digital camera and macro lens, using a copy stand with a home-built light box and Perspex-free Plustek film holders. It scans more quickly and without the dust problems of the Epson. The scan resolution is significantly better than other techniques that I have tried limited by film flatness , and as a bonus the Olympus RAW files are substantially smaller than 16 bit TIFF output from dedicated scanners.

Processing is in LR or CO, so none of the hassle of either Silverfast possibly the worst software I have ever seen in any context! The only downside to this is that you have to manually adjust colour for colour negative images. It would be nice to have an automated tool that could be calibrated with an IT8 target or similar. I may be in the same boat as you…just now seeing how well I can get Kodachrome slide dups using a Sony a7riii with Nikon 55mm macro and ES-1 slide duplicator accessory and Lume Cube with filter as light source.

Thank you, Dustin and everyone, for a helpful review and a great thread. My question is about scanning 35mm Kodachrome slides for professional use. What is the best solution out there? Is there a discernible difference between the output of, say, an Plustek and the ?

I need the highest possible quality because the images will be published to illustrate a book and many will also be projected in large auditoriums. The focus adjustment is attractive. And when using them in batch mode, there are inevitable problems with jamming. Great news — the new Plustek Pro is now available. Dustin Vaughn-Luma October 16, Share this post! Dustin Vaughn-Luma An experience designer, freelance photographer, and competitive cyclist living in San Jose, California with his wife, three sons, and neurotic bernese mountain dog.

All stories by:Dustin Vaughn-Luma. The PhotographerPhil October 16, at pm. DVL October 17, at am. Cosmin Munteanu October 17, at am. Wilson Laidlaw October 17, at am. StephenJ October 17, at am. Anton October 19, at am. No, the erroneous lines and artefacts are being produced by the scanner… I await some kind of answer from PlusTek.

Oh, and there is of course, Hasselblad…. Mathias October 17, at am. Robert October 17, at am. Tom Raymondson October 17, at am. I have two of them — free from a local high school. Go on with your bad self, Tom! Laidric Stevenson October 17, at pm. Josh Solomon October 17, at pm. Herman Klein Nagelvoort October 17, at pm. Thx for your reviews, I love them. Keep it up! Sebastian Bille October 17, at pm.

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PLUSTEK 120 PRO / Review Deutsch / Mein Negativ Scan Prozess plustek opticfilm 120 pro

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