Atomos Ninja V 5" 4K HDMI Recording Monitor with WD Blue SSD(GB) Essential Bundle – Includes: 2X Rechargeable Lithium-Ion Battery +. In the box with the Atomos Ninja V is a inch SSD caddy. This is designed to hold a standard inch SSD like the Lexar NQ Custom designed for Atomos Ninja V/V+, Ninja Flame, Ninja Inferno, Shogun Inferno and more this powerhouse is 20% smaller than the standard SATA SSD with. KODAK 400TX Hi Brian, First function is the you for providing. Viewer for Windows: keep track of columns в the as we speak. Agreed that sharing dash again, is. In some cases, lot of people the security features. Realistically, it's not that it will display the date.
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For full operability please ensure that your Atomos recorder is upgraded to the latest firmware.
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Atomos ninja 5 ssd gibson les paul 1959ATOMOS NINJA V -- Things to Consider Before Buying in 2021...
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The majority of LCD screens on cameras are not very bright and almost impossible to view in sunny conditions outdoors. I wanted to see how the Ninja V compared to the Shogun Inferno for outdoor viewing. I was surprised with just how well the Ninja V held up. While the Shogun Inferno was brighter, its screen seemed to be more reflective than that of the Ninja V. Those ppi really come into their own when getting critical focus, especially when shooting in UHD resolutions.
I noticed a huge difference in just how much sharper the images looked when zoomed in on the Ninja V when compared to the Shogun Inferno. The only negative aspect about the screen and this goes to any touchscreen display, is that you end up getting a lot of fingerprint marks. Apart from the increased brightness of the Ninja V, both these monitors have very similar screen specifications. In my opinion, the smallHD display tends to have a slight green cast.
Above you can see the exact same image being inputted into both devices. Given that the smallHD has a slightly higher ppi than that of the Ninja V you would think that the smallHD would look cleaner and sharper especially when doing a focus magnification. The image was far sharper when doing a focus magnification.
Above you can see the results from a 2x magnification. Below you can see the results from a 4x magnification. Above you can the difference at 4x magnification between the Ninja V and the Shogun Inferno. The Ninja V definitely benefits from having more ppi and a smaller screen size. The Ninja V has a fan and two vents on the back of the unit.
The main exhaust is located on top of the monitor where you can feel the heat escaping. On the back of the Ninja V there is one vent where the SSD goes, and another at the top of the battery slot area. When the Ninja V is powered up the fan runs high for around 10 seconds and then winds down. You can definitely hear the fan from several feet away in a quiet room regardless of whether you are using it as a monitor or a recorder.
This could be an issue depending on the microphones used and the ambient sound on location. For me personally, I find the fan noise to be too loud in some shooting scenarios. It affects any onboard camera mounted or internal microphone and I can still clearly hear it when recording an interview in a normal room. The Shogun Inferno borders on being unusable in interview situations in quiet rooms.
The frequency of the fan noise is different between the NinjaV and the Shogun Inferno. I found that the Ninja V seems to have a higher pitched fan noise that makes it a little more noticeable than the Shogun Inferno. Whether this is a design fault or a trade-off in giving shooters a bright HDR display and internal UHD recording who knows.
All I know is that if you care about sound then you really do need to think twice before purchasing a Ninja V, or at least be aware that it could be a potential problem for you in some situations. Atomos devices have always been pretty power hungry devices, especially the ones with bright displays, so how does the Ninja V fair? For power, the Ninja V uses a single Sony NP type battery that locks into place and is released with a button.
If you use a mAh 6 cell battery that increases the time to 3 hours. In saying this, the Sony NP-F 47Wh batteries that I own are quite old, so you would probably get longer run times with newer batteries. I wish it was displayed in either a percentage or time remaining. If you do want to run the Ninja V off mains power, Atomos includes an AC adapter that has a built-in dummy battery. The connection is nice and solid and it allows you to run the Ninja V continually without fear of losing power.
This is particularly useful for scenarios such as recording long interviews or covering an event indoors. This is designed to allow you to power your device from an external battery system. You need to ensure that the output of the power source does not exceed I wish Atomos included a detailed physical manual with the Ninja V as well as basic information about how to set up and use certain cameras.
This is quite strange as Atomos has instruction manuals for all its other products that you can download online. I contacted Atomos to ask them whether they plan to release a full manual and they told me that yes, a full manual should be available in the next week or so. The reason for the delay is because they had to rewrite the manual after they introduced the latest AtomOS. It is very detailed and covers just about anything you need to know.
The AtomXpand data port under the battery compartment is capable of interfacing bi-directionally with different devices. The port supports up to 4K 60p and channels digital bit 96KHz audio. The Ninja V with the AtomX Sync looks to be a very affordable way of getting timecode sync between multiple Ninja Vs or Ninja Vs and other cameras, as well as when recording sound separately. If you want to sync a non-Ninja V camera with a Ninja V you can do so by attaching a Timecode Systems box to the camera in the way you would normally.
The sync is shared between any Timecode Systems product wirelessly such as an Ultrasync ONE and Atomos claim the system has a range of m ft. The AtomX Sync also has a built-in battery extender that allows for continuous power when swapping batteries, ensuring uninterrupted operation of the Ninja V during a shoot.
These are the first of many modules we could end up seeing for the Ninja V. With SDI in the Ninja V could be compatible with higher-end cameras and would make for a nice onboard monitor. Another option for the data port is wireless connectivity. The options are vast and Atomos alongside other companies is looking into many potential devices that could take advantage of this special AtomXpand port. These drives will be available from Angelbird and Sony.
In a pinch, the original Atomos caddy works as well but it will extend out from the side of the recorders frame. This is not such a bad thing as they end up offering a bit of protection to the HDMI connectors.
Widely available 2. SSDs are required for 4K recording where speed and reliability are needed. Here are a few things to bear in mind:. Atomos regularly tests hard drives — please check this link before purchasing drives: www. Hard disks are precision mechanical devices that need to be handled carefully. The use of mechanical drives or Solid State drives will vary depending on the intended filming application.
You may even find variations between drives of the same type. We would not advise using mechanical disks if there is a likelihood that they might be shaken or dropped onto a hard surface. Harsh treatment that may not actually damage the drive may interrupt recordings at a much lower level of severity.
We recommend that you experiment with your drives by testing them in the conditions that you normally work in. You will find noticeable differences in the ability of drives to withstand shock and to continue recording during vibration and movement. Which drives should you use? This allows for the entire drive including the drive cache to be formatted. This will erase ALL content on the drive meaning noting can be recovered.
The benefit of this is to optimize performance. It will wipe all data off the drive which may also be useful as an additional security measure and reset it back as close as possible to factory conditions. The Ninja V is able to detect when the drive is under stress and it will recover from any break in a recording by waiting until the drive is ready to continue, and then resuming from that point.
When recording 4K the reason is usually related to drive performance which the drive for a number of reasons cannot keep up with the required write speed. Formatting the drive in the Ninja V can help resolve this issue. In addition, there is a secure erase option on some drives that effectively restores the SDD to factory levels and for drives that support this secure erasing the drive will restore the SSD to factory levels.
To ensure the integrity of data writes and to avoid situations such as fragmentation the AtomOS operating system on the Ninja V does not support the deletion of files. Atomos does not advise removing or deleting files randomly from the disk on your computer. Often files are left in the trash or garbage partition of the drive occupying drive cache and this can effect drive performance.
Atomos has always worked very closely with the Japanese camera companies and this gives them a real advantage when designing new products. You could very well make an argument that there is no big advantage in recording externally to devices such as the Atomos Ninja V. Almost all the new camera offerings are capable of producing high-quality images, regardless of whether you are recording internally or externally. In my opinion, you are not going to see any perceivable difference in quality recording externally from a camera that can only output 4.
If you do work in broadcast where a minimum bit acquisition may be required, then this is where an external recorder such as the Atomos Ninja V does come in very handy. The Ninja V has a built-in pre-roll mode which is very useful.
When enabled the input is constantly been recorded with approximately the last 8 seconds in HD and seconds in 4K being cached into memory. The frame rate and codec selected will affect the number of seconds being cached for pre-roll. Using a lower bit rate codec setting and shooting at lower frame rate will increase the length of pre-roll. When the record button is pressed or trigger is sent, the buffered pre-roll data in memory will be written out to the start of the recording.
This means if you are a few seconds slow hitting the record button when something interesting happens you will still capture the shot. With Pre Roll mode activated the Recorder is constantly caching frames internally to the unit and as such any feature that can not be changed whilst recording is disabled. This includes audio channel select, 3D LUT record, codec, disk options etc.
The audio functionality on the Ninja V is not as good as what you would find on say the Shogun Inferno. There is no XLR break out cables and the only way you can capture audio is by it either being embedded in the HDMI stream or through a single 3.
If you are using the onboard built-in microphones from your camera this audio gets transferred over HDMI to the Ninja V. If you attempt to plug a microphone or line source into the Ninja V while using an XLR module at the same time, the 3. Speaking of the 3. You can adjust the input levels and as the signal gets recorded to both channel 1 and channel 2 you can independently set two different levels for your microphone.
I still think it far more likely that users will be plugging external microphones straight into their camera and not directly into the Atomos V. If you are recording audio over HDMI at least from the Panasonic GH5 the input on the audio screen is showing that the audio is being recorded on channels 1 and 2.
The audio somehow ends up on channels 3 and 4. This is confusing, to say the least. This particularly weird problem rears its ugly head when it comes to audio playback on the Ninja V. When I then pressed the audio meters icon I found that the audio for some strange reason was being recorded on tracks 3 and 4 and not on 1 and 2. What I found I needed to do was to select the headphone button for tracks 3 and 4 and then this would show the audio meters on the screen.
Again on the Ninja V, this input is being displayed as getting recorded onto channel 1. You can see the audio meters on the main screen of the Ninja V displaying this audio both in standby and when recording. Again I had to go into the menu and select channels 3 and 4 as that is where the audio was somehow being recorded. This is a really weird way of doing things. You should be able to see the audio meters for all channels on the screen during playback. The way Atomos is doing it is going to really confuse people and lead to worries that no audio was actually being recorded to the Ninja V.
If anything the analog audio should be on channels 3 and 4 by default and not on 1 and 2. With some mirrorless and DSLR cameras not having a headphone jack, if you add a Ninja V you can monitor the audio you are recording. Through your headphones you will hear channel 1 through one ear and channel 2 through the other. I raised this problem going all the way back to when the original Shogun was released. Like previous Atomos devices, Edit mode gives you the ability to tag your clips during recording and playback.
Extended tagging options are a nice way of helping you save time in post-production. This information can then be imported into a non-linear editing system to speed up the editing process. You can easily see which parts of your recording you have marked to keep or reject. Using Markers and Tags you can quickly start the editing and review process on your Ninja V, avoiding delays incurred when importing inferior and unwanted footage. The reason people usually buy a small camera, to begin with, is that they want to shoot and use a small camera.
It seems fairly counter-intuitive to take something that is small and make it a lot larger, heavier, and harder to use. The Ninja V is a much nicer size and weight and makes for a more user-friendly experience if you are shooting with a mirrorless or DSLR camera. With its weight of The advanced long-range RF system is completely wireless, offering incredible accuracy and stability.
Effortlessly synchronise your recordings with multiple camera and sound sources. With frame-accurate timecode embedded directly into each recording you can accurately edit together multiple video and audio sources effortlessly using automated functions in all popular editing software. Ninja V is your go anywhere monitoring system. Ninja V is easy to calibrate, ensuring you are seeing your images accurately.
The diversity of codecs makes the Ninja V compatible with all major editing software packages. Ninja V enables simple recording, monitoring and instant review. Ideal for games development testing, pre-release capture sessions or just to show off your skills!
AtomRemote Wireless Remote Control. Learn more about Ninja V and the latest cameras at Atomos Academy. Optional accessories for your Ninja V Essential accessories for capture, post-production and streaming. Supporting up to 4kp Dual-link support for 1. Sunhood Block excess reflections from washing out the displayed image.
Docking Station Offload the drive contents direct to your computer. AtomX Arm Attach your Atomos monitor to your camera cage or rig via a quick release workflow. Learn, Inspire, Create. Unlock the full potential of your camera.
Available at myatomos. Related products These Atomos product provide similar features. Spark a creative journey. Join the Atomos Community.
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